Oprah Winfrey’s Sabyasachi Connection, As Revealed By The Designer

Oprah Winfrey's Sabyasachi Connection, As Revealed By The Designer

On Monday, ace fashion designer Sabyasachi Mukherjee revealed that actress-talk show host Oprah Winfrey recently wore a custom-made black sari designed by him on the cover of Elle India’s December 2018 edition. Oprah has featured on the magazine’s 22nd anniversary cover. She complemented the sari with 29.5 carats Zambian emerald and diamond earrings from Sabyasachi’s heritage jewellery collection. A picture of the cover was shared by Sabyasachi on his Instagram timeline, who also revealed details about his meeting with Oprah Winfrey on her first trip to India. She had visited India in 2012 and while attending a dinner hosted by the royal family in Jaipur, Oprah Winfrey had also worn a sari designed by Sabyasachi.

“Nothing prepares you for meeting Oprah in real life. On her maiden trip to India, Oprah attended a dinner hosted by the royal family in Jaipur and I had the good fortune to dress her in a saree for it. We spent some time discussing India and spirituality, as well as Indian art and handicrafts,” Sabyasachi wrote.

On her way to the Jaipur Literary Festival, Oprah Winfrey had visited Sabyasachi’s new store in Mumbai too. “The opening of my store in Kala Ghoda came up in conversation and Oprah promised to swing by in the morning if she got time off from her busy schedule. I thought she was being polite. Oprah isn’t just one of the world’s most influential personalities. She’s larger than life, but also as real as it gets!” Sabyasachi added.

[“source=ndtv”]

New Pic Of Deepika Padukone From Wedding Festivities Shared By Designer – No, It’s Not Sabyasachi

New Pic Of Deepika Padukone From Wedding Festivities Shared By Designer - No, It's Not Sabyasachi

 

After Sabyasachi and The House Of Angadi, Deepika Padukone picked an outfit from the shelves of Anamika Khanna for one of her wedding functions. The designer shared an image of Deepika with her family on her Instagram page and used ‘#weddingfestivities’ in the caption (now edited out) but she did not give away the details of event. In the picture, Deepika Padukone, dressed in an organza outfit, smiled as she hugged her family (in a very Hum Saath-Saath Hain style). Deepika’s sister Anisha, dressed in a chikankari anarkali, looked pretty. Deepika Padukone married actor Ranveer Singh in Italy earlier this month in the presence of their families and close friends. The couple is gearing up for their first Mumbai reception scheduled for November 28.

Anamika Khanna is the third designer Deepika Padukone opted for her wedding festivities, first being her favoured designer Sabyasachi. Deepika also wore a pure zari kanjeevaram saree in gold for the reception, which was a gift by her mother Ujjala Padukone from The House of Angadi. Deepika’s orange and gold saree for the Konkani wedding was also from The House of Angadi.

[“source=ndtv”]

How Designer Marcelo Burlon County of Milan Developed A Mature Collaboration With Muhammad Ali

Marcelo Burlon  photo by @bratislavtasicMarcel Burlon

Whether drawn by splendid designs or heartfelt recollections, or the curiosity of what will be the next big thing, streetwear has  proudly proven its sustainability in a volatile fashion marketplace. Make no bones about it, streetwear is meant to be enjoyed and experienced in the proper fashion. Rich textures and hues mesmerize the consumers with waves of exotic yet familiar styles. Streetwear is street fashion that saw its humble beginnings take root in California’s surf and skate culture. Since then, it has grown to encompass elements of hip-hop fashion, Japanese street fashion, and lately modern haute couture fashion. Streetwear more than often centers on more relaxed pieces such as jeans, baseball caps, hoodies and sneakers.

Nevertheless, let me be clear; streetwear was born in the USA. Throughout history, the USA has played a significantly creative role in fashion and quite often we don’t give ourselves a good pat on the back for our creative developments on fashions timeline of history. The movement is born out of the Los Angeles surf culture of the late 1970s and early 1980s. Even if we look as legendary surfboard designer Shawn Stussy, you’ll find that he began selling printed T-shirts featuring the same trademark signature he used on his custom surfboards. At first, he was selling the Stussy items from his own car. Soon thereafter he expanded sales to boutiques once popularity has increased and Stussy had become a household name. To be clear, the two most important components of streetwear is T-shirts and exclusivity. Early streetwear brands took inspiration from the DIY aesthetic of punk, new wave, heavy metal and later hip hop cultures. Subsequently. well-known sportswear and fashion brands attached themselves to the emerging early 1980s hip hop scene such as Kangol and Adidas. At this point, the game just got interesting. Nike’s signing of soon-to-be basketball superstar Michael Jordan from their  rival Adidas in 1984 changed the game altogether, as Nike now dominated the urban streetwear sneaker market in the late 80’s and early 90’s.

Marcelo Burlon photo by @bratislavtasicMarcel Burlon

Moving forward, we witnessed brand launches by the chief executives of major record companies with then heavyweights Russell Simmons of Def Jam launching his Phat Farm label, Sean Combs of Bad Boy with Sean John, and Jay-Z and Damon Dash of Roc-a-Fella Records launching Rocawear.  Years later, even rap superstar 50 Cent launched his G-Unit clothing label, with the sneaker rights given to Reebok.  This simply meant that the big fashion companies not only  saw a future in streetwear but rather  embraced the streetwear culture. So where does this leave streetwear now? Recently, we find an increase in established luxury brands entering into the market. Last year, Louis Vuitton proudly named Virgil Abloh (Off-White brand) as the brand menswear creative director. So then, what really popularized the streetwear trend? In a word, the decline of formal wear led to the rise of streetwear fashion. I recently reviewed a streetwear designer brand that peaked my interest.

Marcelo Burlon photo by @bratislavtasicMarcel Burlon

Marcelo Burlon was born in Argentinia. His approach to fashion has caught the attention of new generations on his very own rainbow tour of the social-media era. Moving with his parents to Porto Potenza Picena in Italy at 14, he would become a notorious club kid in Rimini. That was until a career organizing events for major fashion houses and DJ-ing relocated him to Milan in 2012 and paved the way for the launch of his streetwear brand Marcelo Burlon County of Milan. Five years on, he has become a fan phenomenon in Italy and beyond, and the poster boy for a new wave of fashion entrepreneurs who are set on challenging the establishment.

[“source=forbes]

Designer babies: Indian scientists question implications of gene editing

Several research labs across India are using CRISPR, the gene editing tool used by He Jiankui to create the designer babies, to correct mutations in genetic disorders. Photo: Bloomberg

Several research labs across India are using CRISPR, the gene editing tool used by He Jiankui to create the designer babies, to correct mutations in genetic disorders. Photo: Bloomberg

New Delhi: Scientists in India are deeply divided over the implications of the recent shock announcement about gene-edited “designer” babies made by a Chinese scientist. The responses range from disbelief about the research to potential implications for next-generation science. On Monday, He Jiankui, a scientist from China, presented his findings at a genome summit in Hong Kong claiming to have created the world’s first gene-edited twins. Jiankui edited a gene in the embryo and implanted it in the mother’s womb to make the babies resistant to HIV infection. The twin girls were delivered last month, he said.

“He created a next-generation baby, which almost falls in the purview of designer babies. It sets a wrong precedent. Creating a child with specific traits or deciding how the next generation will be could open the technology for potential misuse by those who have the tools, funds and necessary resources,” said senior scientist Debojyoti Chakroborty from CSIR-Institute of Genomics and Integrative Biology (IGIB), Delhi, “It was definitely not the necessity at the moment,” he added.

Several research laboratories across India are using gene-editing tool CRISPR to correct mutations in genetic disorders like sickle cell anaemia and haemophilia by isolating embryonic stem cells derived from patients, trying to establish preclinical studies and examining if these can be used for therapy. Some are doing basic research on CRISPR, while others are engaged in identifying genes in plant and animal genomes after knockout or knock-in of a gene to study their function and impact.

Ever since its discovery in 2012, consensus has prevailed among international scientists not to use CRISPR for editing embryos, until it is proven to be completely safe. However, research by the Chinese scientist, which is yet to be published in any journal, or ‘peer-reviewed’, has set the alarm bells ringing on its future consequences, especially when the research in the domain is on at an exponential rate.

Girish Sahni, former director-general, Council of Scientific and Industrial Research (CSIR), who is credited with developing India’s first indigenous clot-buster drug for cardiovascular diseases, said, “The technology is fairly developed to reap awards. But the focus should be on its monitoring and ensuring strict guidelines to regulate its use.”

That said, Sahni is excited about the potential. “Gene-editing is a powerful tool. India has already lost precious time and it is yet to make any breakthrough in this domain. We should immediately work out modalities by which the research in this area can be conducted, but it should be tied to societal needs, especially agriculture, where it has the maximum scope. We can improve the quality of livestock and agriculture products.”

Plant geneticist, Imran Siddiqui from the Centre for Cellular and Molecular Biology (CCMB), says the technology offers a big advantage. “If you mutate one gene, it does not cause any evident change in the plant or organism, because the function of that one gene is taken over by a related gene. But, CRISPR offers the advantage of targeting multiple members of the gene family for mutations in just one go, to show visible consequences,” he said.

The underlying concerns are more on the validity of the current research, risk assessment and safety, and ethics as it is believed that the edited embryo could become more vulnerable to other infections. “It is shrouded in mystery. It will take several years to understand how safe it is,” said Chakroborty.

Scientists also contend that there are more pressing disorders that could have been taken up for research.

“It is indeed the ‘therapy of the future’, be it cancer biology and neurodegenerative diseases. If we can isolate the defective genes, it opens up huge applications for disease-control. But, there is still a long way to go. We are taking the first few steps,” said Amitava Sengupta, senior scientist from CSIR-Indian Institute of Chemical Biology (IICB), Kolkata.

[“source=gsmarena”]

Payless pranks customers by getting them to buy its shoes at designer prices

Payless recently took over a former Armani store to prove that good shoes don’t need to be expensive.

The shoe retailer slapped on a new name for the storefront and gave its discounted shoes inflated designer prices.

About $3,000 worth of shoes sold within a few hours and after the shoppers paid, staffers told them that the shoes were from Payless.

“You’ve got to be kidding me,” one customer said.

The buyers got their money back and free shoes.

The ad company, which assisted with the event, said Payless “wanted to push the social experiment genre to new extremes, while simultaneously using it to make a cultural statement.”

[“source=forbes]

Meet Fashion Designer Şansım Adalı Of Sudi Etuz At Her Mercedes-Benz Fashion Week Tbilisi Debut

Şansım Adalı of Sudi Etuz and models in the collection after her show.Courtesy of Mercdes-Benz.

A big challenge for emerging fashion designers is to show their collection abroad, and the Mercedes-Benz International Design Exchange Program allows for many to do that. Turkish fashion designer Şansım Adalı traveled to Georgia, where she presented her label Sudi Etuz internationally for the first time as part of the Mercedes-Benz International Designer Exchange Program

(IDEP) during Mercedes-Benz Fashion Week Tbilisi. The designer’s Spring/Summer 2019 was a love letter to Istanbul, with references to the city through its geography and opulent buildings. Bulbous sleeves were shaped like Palace doors, while the decolletage of a bandeau top traced the outlines of the famed Bosphorus Strait that links Asia to Europe. Delicate ruffles and swathes of tulle gave the collection and ethereal touch, ideal for that staid woman who lunches, and the fun, young debutante alike. Adalı spoke to a group of reporters after her show, where she discussed her first time traveling abroad, her ode to Istanbul, and the challenges of being an emerging designer.

How did you get the opportunity to present at Mercedes-Benz Fashion Week Tbilisi?

Last season I was presented by Mercedes-Benz in my hometown, Istanbul, and they gave me a chance to do an exchange program. There was a list of some cities in which Tbilisi took my attention because the emerging designers are so cool. Fashion week goes really well. I really wanted to be a part of it, and thanks to Mercedes, they just placed me here, and replaced me with a Georgian designer, and the experience improved me a lot because I’m out of my country for the first time, so it was a really great experience to be a part of it, and working with Georgian models and a Georgian team.

Turkey shares a border with Georgia. Is there a strong connection between countries?

Yeah we do. We don’t even need passports to fly. We’re just neighbors. We’re so close.

Were you exposed Georgian culture growing up?

In Istanbul I have some Georgian friends, and my teacher from fashion school was Georgian, so she was telling me stylist friends who are visiting Tbilisi Fashion Week, they are always telling me a lot about it, like how cool the places are, and how the street style so good, and how international press is giving much attention, and the city is inspiring. I didn’t expect this much. They preserved all the buildings, everything really good, and inspired me. Being in the city gave me so much inspiration.

[“source=forbes]

Q&A With Paris-Based Singaporean Fashion Designer, Andrew Gn

Andrew Gn, the only Singaporean fashion designer on the official Paris Fashion Week calendar speaks about how the industry has evolved over the past three decades.

Singaporean fashion designer Andrew GnPhoto Anne Combaz

In your opinion, how has the fashion industry evolved over the past three decades since you first started in the business?

When I started, fast fashion had not become the mass phenomenon it is now. With their strategies of continuously offering new styles in order to attract customers more frequently into their stores, these new actors have commanded a change of pace in the industry, more collections, a much higher turnover of designs, and probably some market saturation and customer fatigue. Another significant change has been the ever-increasing role of social media, spreading looks and trends around the globe like wildfire, thus pushing true designers to fight for their own identity. And lastly, the interconnection of fashion and show business, with showbiz stars becoming promotional vehicles for fashion, or even turning themselves into fashion designers, with varying degrees of success.

Although Singapore isn’t known for its fashion scene, how have you created an international fashion brand that’s worn by high-profile celebrities? What were the keys to your success, and what were some of the preconceived notions about Asian fashion designers that you’ve had to overcome?

From the beginning, I’ve not been designing with a specific geographical market in mind, but for any woman around the world who loved beauty and refinement. This is why my house has grown a very international clientele, attracting celebrities and their stylists from the West as well as the East. I don’t feel that I was ever perceived as an “Asian” designer, but more as a Singapore-born designer who chose to establish himself in the West.

Why have you chosen to be based in Paris, and why would fashion designers choose to be based overseas versus in Singapore and vice versa?

I first came to Paris as a young boy. I was so enthralled by the city that I told myself that someday I would live there. I came back to Paris after my fashion studies in London, New York and Milan to take my first job with Emmanuel Ungaro. And I’ve stayed on because I believe Paris does remain the fashion capital of the world. Here I can find the talent, resources and savoir-faire to produce my collections with the degree of refinement I’ve always been yearning for.

Describe to me your sources of inspiration, especially history, art and nature, and how that has influenced your work. Do other fashion designers use similar inspiration?

I can’t really speak for others, but for me, art, history, nature and flowers are (besides food!) major passions. When I turned 15, my father gave me a complete set of Les Histoires Naturelles by 18th-century French naturalist Buffon. I treasure these books, they have inspired me on several occasions. I love visiting museums and art exhibitions, whether classic or contemporary. I am an avid collector of ceramics and textiles. All this, plus a profuse image library within my head, are my sources of inspiration.

Why is it important for you to draw from your Asian roots and heritage in your collections?

I was born and educated in Asia. My Asian heritage comes naturally in my designs. My father was a merchant and was traveling a lot around Southeast Asia when I was a child. He would bring back for my mother wonderful hand-dyed batiks from Indonesia, beautifully woven and embroidered kimonos from Japan and amazing silks from China. My mother would then go to her tailor and have them transformed into dresses, suits and cheongsams. These childhood memories are still very vivid and bring me constant inspiration, as you can see from some of my very recent collections.

[“source=forbes]

This Latina Fashion Designer Shares All She Has Learned Since Selling Her First Dress

Alexia Maria Alexia Maria

Alexia María started designing clothes for herself long before she ever designed a look for anyone else. Over time, and thanks to word of mouth and a strong social media presence, María was able to build a brand that has led to actors like America Ferrera and singers like Gwen Stefani wearing her looks.

In growing the brand from a business that sold primarily to friends and family to one that can be shopped at two flagship locations – one in California and one in New York — as well as online, María had to learn to juggle the demands from both the creative and business side of any new business.

“It takes a lot of discipline and a great team to give your 100% to both sides,” shares María. “With the help of my amazing team, I am able to completely focus on design when I need to. With their support I am able to let go of the business side for a while and just dive into designing.”

As an immigrant and Latina in the fashion space, María understands that women are layered and that the clothes they choose to wear reflect their heart above all.

“If you are comfortable with what you are wearing, you will be confident and be the best version of yourself,” notes María.

Below María shares her advice to other designers and entrepreneurs, how her Latinidad has influenced the trajectory of her career, and how she navigated making the jump to being a fashion designer.

[“source=forbes]

Beloved Philippine Designer Randy Ortiz Marks 30 Years In Fashion

A peek at Randy Ortiz’s collection for his 30th anniversary showPhoto courtesy of Randy Ortiz

Three decades ago, there was a small, discreet little dress shop along Kamias Street in Quezon City. Actually, it was more of an apartment which had been converted into a shop. A small salon on the ground floor was where then budding men’s designer Randy Ortiz met with clients. It had a desk and small sitting area where the latest fashion magazines were laid out. Behind it was the workshop. From the client’s chair, the door joining these two areas revealed behind-the-scenes on-goings that would later revolutionize men’s fashion.

This was in the early 90s. Back then, men followed a very contrived style philosophy and color palette. Black was almost the only color they would ever choose for a suit. When it came to designs for shirts, prints and bright colors were elements seen only on the runway shows abroad. Where men’s fashion was concerned in Manila circa 1990, men only wore neutrals and solids. Even women’s fashion lacked the sense of individuality and spirit of adventure it now possesses. I remember this to be a time when the only color for shoes were either brown or black.

Details on his garments were meticulously hand embroidered, mirroring Randy Ortiz’s strong couture sensibilities.Photo courtesy of Randy Ortiz

When I first sat down with Randy to have my junior prom dress made he said, “Wear it with a pair of strappy silver stilettos.” He held up a pink crepe A-line mini dress fresh off the backroom and gave it one last inspection before sending me off. I thought he had lost his mind. I insisted on a pair of black chunky heels. Photos from prom and those horrific pair of shoes have ceased to exist.  This extremely safe and uninteresting style philosophy that dominated throughout Manila changed when Randy decided he would introduce color, print and texture to a man’s—and later women’s—otherwise bland wardrobes. And it has since been an exciting journey since then.

[“source=forbes]

Filipino designer Michael Cinco on creations for Ahtisa Manalo, Miss Universe Canada

Image result for Filipino designer Michael Cinco on creations for Ahtisa Manalo, Miss Universe Canada

A Michael Cinco couture creation can spell magic on any pageant stage, this much Miss Universe Canada 2018 Marta Magdalena Stepien knows very well.

Cinco created the cobalt number, now called the Pia Blue, which Miss Universe 2015 Pia Alonzo Wurtzbach wore to crown her successor, Iris Mittenaere of France. Mittenaere, meanwhile, wore a scintillating Cinco crimson gown when she turned over her title to Demi-Leigh Nel-Peters of South Africa.

Binibining Pilipinas Maria Ahtisa Manalo finished first runner-up at the 2018 Miss International contest in a virginal Cinco blush pink dress from his “World Class” collection recently shown in Cebu.

“I got a message from Magdalena’s handlers and the national director of Miss Canada. They asked me if I can make an evening gown for her for the Miss Universe pageant,” Cinco explained in an interview with this writer. “They are great followers of my work and they follow me on Instagram.”

The Polish-Canadian stopped by Dubai, United Arab Emirates, on her way to Bangkok, Thailand, the Miss Universe 2018 competition location, to pick up her evening gowns and, to the delight of many, she was the final girl at the acclaimed Filipino designer’s show at Arab Fashion Week.

Read more at https://www.philstar.com/lifestyle/fashion-and-beauty/2018/11/28/1872458/filipino-designer-michael-cinco-creations-ahtisa-manalo-miss-universe-canada#LTc5jxswlCALQY5M.99

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