India Men Show: A glamorous show to accelerate men’s lifestyle and the latest fashion trends in India

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The guest list also included industrialists, businessmen, bureaucrats, influencers, restaurateurs, politicians, diplomats, expats, and socialites.

The inaugural edition of “India Men Show” took place on April 18, 2019, at the Metropolitan Hotel, New Delhi. It was a luxury evening dedicated to celebrating men’s lifestyle choices. The evening encompassed a panel discussion on changing trends in men’s lifestyle industry, ‘Man of Substance’ awards to honor select iconic men from different walks of life and a curated fashion presentation by menswear labels.

“India Men Show” evolves from the fact that men are becoming increasingly style savvy and are making informed lifestyle choices more than ever before. Be it fashion, grooming, fitness, travel, machines, technology or personal space, they are investing smartly in factors that determine their way of life. However, the event finds its purpose in encouraging modern men to become significantly aware of their lifestyle decisions and their impact on society.

The guest list also included industrialists, businessmen, bureaucrats, influencers, restaurateurs, politicians, diplomats, expats, and socialites.

Panel Discussion: Former Indian cricketer Anjum Chopra was in conversation with Bobby John Varkey, (Editor-in-Charge, The Man Magazine), Sunil Sethi (President, FDCI), Malvinder Singh Ricky (Former COO, Taj Hotels), Rajiv Makhni (Tech Guru), Sangram Singh (wrestler). They decoded changing trends in men’s lifestyle.

‘Man of Substance’ awards
This felicitation is a celebration of select men’s bold decisions and their lifestyle choices. These shakers and movers have set remarkable examples in society. And they are a role model for the millennials of India.

Some of the well-known names were honored with “Man of Substance” award include Amit Burman (VP, Dabur India), Raghava Rao (Vice President, Finance & amp; India CFO at Amazon India), Zorawar Kalra (Founder, Massive Restaurants), Navin Ansal (Founder, Casa Pop), Raghav Verma (Co-founder, Chaayos), Sunil Sethi (President, FDCI), Sabbas Joseph (Founder, Wizcraft), Tarun Thakral (Founder, Heritage Transport Museum), Sangram Singh (Wrestler), Samir Suhag (Polo Player), Sachin Atulkar (IPS Officer, Online sensation), Rajiv Makhni (Tech Guru), Jamal Shaikh (Editor, HT Brunch) and Martin Howard (Social Activist).

India Men Show 2019 was supported by leading names – BMW as Lifestyle Partner, Wikka and Ayurveda as Gifting partners, United Breweries and Fishing Cat as Beverage Partner, The Metropolitan Hotel & AMP; Spa as Hospitality Partner, The Man and Exotica magazine as Media partners, Brand Stand Bespoke Communications as PR Partner, Crystal Hues as Digital Partner and Red 93.5 Fm as Radio Partner.

[“source=financialexpress”]

Luxury Apparels Market is expected to grow at a CAGR of 12.3% Research Report by Top Players, Gross Margin, Profit Margin, Revenue, Forecast 2023

Luxury Apparels

“Latest Market Overview for Luxury Apparels Market Research Report 2018-2023 with CAGR 12.3%

Global Luxury Apparels Market Report 2018 provides actionable intelligence on factors that have been driving demand; key trends that are impacting the Luxury Apparels marketchallenges that affect the market dynamics along with the market size, a SWOT analysis of the key vendors, and various segments.

Competitor Analysis: by product types, market share, applications, sales, and revenue.

  • Hermès International S.A -Versace-Kering SA-Prada S.P.A-Dolce and Gabbana-LVMH Moet Hennessy Louis Vuitton S.E-Burberry Group Inc.-Giorgio Armani S.P.A-Ralph Lauren Corporation-Ermenegildo Zegna-Hugo Boss A.G-Kiton

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Description of Luxury Apparels Market: Increasing communication between consumers and key players through social media platform and online retail stores is driving the sales of latest trendy luxury apparels. Rise in online transactions are supporting the market growth of luxury apparels from last few years. Consumers specific offers and attractive promotions & advertising through magazine and social media is influencing the sales of luxury apparels as nearly half of luxury apparel buying decisions are majorly inclined by what consumers see or hear from offline and online platforms.

The global luxury apparels market is expected to register a CAGR of 12.3% during the forecast period, 2018 to 2023.

Acceptance of Latest Fashion Trends by millennial to Drive the Luxury Apparels Market Growth

Luxury apparels are mostly considered as status symbols for individuals which is driving discretionary spending with high purchasing power of consumers. Increasing popularity of luxury apparels among millennial are driving the market growth as they are more likely to be driven by latest fashion trend than other consumers groups. Improvement in digital marketing and rise in use of digital media in developing economies for product marketing are playing key role to drive the luxury apparels market growth from last few years. For instance, popular fashion brands like Topshop, Burberry and Alexander McQueen showed their use of live streaming with the help of digital runways at the SS 2017 fashion month.

Online Channel Expected to Witness Rapid Growth

The luxury apparels market is led by e-commerce i.e. online retail stores segment as consumers are preferring the online platforms over store based retail stores. Online platforms provide more options to choose and it is convenient for consumers. Many key players in luxury apparels are focusing on marketing and selling products on both their own website and that of selected retail store or pure luxury e-retailer partners in particular countries. Marketing strategies such as involvement of celebrity for brand endorsement is helping key players to attract more consumers from different financial backgrounds. As offline retail stores have limited growth potential over online retail stores, it is likely to influence sales of luxury apparels in online retail stores in upcoming years.

North America to Dominate the Luxury Apparels Market Share

North America is likely to hold significant market share in luxury apparels industry followed by Europe region over the forecast period due to increased demand of luxury goods including luxury apparels in the region. The growing attraction of luxury lifestyle, high purchasing power, and the influence of celebrity endorsement is driving the market growth in North America. Asia-Pacific region is estimated to witness significant growth rate in upcoming years owing to improving distribution network across the region. However, value added taxes imposed on luxury apparels and footwear by governments and high dominance of key players is restraining the market growth in developing economies.

Key Developments in the Luxury Apparels Market

July 2018: Reliance Brands has acquired 12.5% of stake in luxury apparel firm Future101 Design for USD 1.385 million. Future101 is engaged in manufacturing, distribution and sale of luxury apparels in India.
Jun 2018: Luxury women’s apparel retailer Moda Operandi recently launched Moda Operandi Man, marking the first time the e-retailer has sold men’s apparel. Moda Operandi Man debuted with more than 50 luxury brands, including Prada, Maison Margiela, Givenchy, Ralph Lauren, Balmain and Burberry, among others.

Luxury Apparels Market Competitive Landscape

Luxury Apparels Market

Reasons to Purchase Luxury Apparels Market ReportAnalyzing outlook of the market with the recent trends and Porter’s five forces analysisMarket dynamics, which essentially consider the factors, which are impelling the present market scenario, along with growth opportunities of the market in the years to comeMarket segmentation analysis including qualitative and quantitative research incorporating the impact of economic and non-economic aspectsRegional and country level analysis integrating the demand and supply forces that are influencing the growth of the marketCompetitive landscape involving the market share of major players, along with the key strategies adopted for development in the past five yearsComprehensive company profiles covering the product offerings, key financial information, recent developments, SWOT analysis, and strategies employed by the major market players3-month analyst supports, along with the Market Estimates sheet in excel

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The Global demand for Luxury Apparels Market is forecast to report strong development driven by consumption in major evolving markets. More growth opportunities to come up between 2018 and 2025 compared to a few years ago, signifying the rapid pace of change.

Following market aspects are enfolded in Global Luxury Apparels Market Report:

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Luxury Apparels Market report passes on a fundamental overview of the Market including its definition, applications, and advancement. Furthermore, the Industry report investigates the ecumenical Major Luxury Apparels Market players in detail. Luxury Apparels Market report gives key bits of Cautiousness and subsisting status of the Players and is a basic Source obviously and heading for Companies and people energized by the Industry.

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Which are the important factors that are mentioned in the Luxury Apparels Market report 2023?

  • Key Market Dynamics: The Global Luxury Apparels Market research report provides complete forecasts on the latest market trends, development methods, and research methodologies. Some of the factors that are directly in affecting the market including the Strategic Production and Methods, development platforms, and the product model itself, and even a minute change within the product profile would result in huge amount of changes within the mentioned factors. All of these factors are explained in detail in the research study.
  • Major Growth Prospects:The report also focuses on some of the Key growth prediction, including new product launches, Mergers and Acquisitions, Research and Development, joint ventures, collaborations, agreements, partnerships, and growth of the key Manufacturers working effectively in the market, both in terms of regional and global scale depending on geography.
  • Key Market Highlights: The report gives us an in-depth Market analysis on some of the Luxury Apparels Market key factors, including revenue, cost, capacity, capacity utilization rate, production, production rate, consumption, supply, demand, Market share, CAGR, and gross margin. Additionally, the report presents a comprehensive study of the market growth factors and their latest trends, along with related Market sections and subsections.

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The growth of this market worldwide is subjected to various factors; including consumer world-class Luxury Apparels Market of many Luxury Apparels Market products, inorganic company growth models, price volatility of raw materials, product innovation along with economic prospects in both producer and consumer countries.

Conclusively, this report will provide you a clear view of each fact of the market without a need to refer to any other research report or a data source. Our report will provide you with all the facts about the past, present, and future of the concerned Market.

Take A Virtual Tour: Former Honolulu Home Of Fashion Designer Geoffrey Beene For Sale At $14M

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The home’s three expansive stories hug the lower slopes of Diamond Head crater as they meet the water’s edge.

360 PROPERTY VIDEOS

Tucked away on the front slopes of the Diamond Head landmark in Honolulu is a Malibu-style house once owned by one of America’s most iconic fashion designers, Geoffrey Beene. The luxurious home at 3311 Beach Road is on the market with a $14 million asking price.

You might have to pinch yourself to be sure the stunning surroundings aren’t a dream as you view the beachfront home’s three stories hugging the lower slopes of Diamond Head crater as they meet the water’s edge. Stepping foot inside the custom kiln-formed textured glass entry door will likely confirm your feelings that this impressive home is indeed a retreat from the outside world.

Built in 1988, the residence features four bedrooms and four and a half bathrooms in 4,878 square feet of living space. Beene bought the property in 1992, and it was gifted to the Honolulu Academy of Arts in 2003. The home was sold in 2005 to its current owner, who undertook a major renovation in 2014, the result of which is a serene, Zen-like haven.

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The handmade textured glass entry door was designed by a local artisan.

360 PROPERTY VIDEOS

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Famed American fashion designer Geoffrey Beene owned the residence from 1992 until 2003.

360 PROPERTY VIDEOS

The house is built of glass, concrete and steel. Walls of glass maximize the breathtaking sunrise and unparalleled Pacific Ocean views that one can experience in almost every room. The south-facing beachfront home’s unique position captures views of the Diamond Head Lighthouse on the side of a cliff.

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The home’s position provides views of the Diamond Head Lighthouse on the side of a cliff.

360 PROPERTY VIDEOS

Julianna Garris and Patricia Choi of the Choi Group with Hawaii Life are co-listing agents for the property.

“The moment you walk in the house you see an expansive view of the ocean, and it’s just gorgeous,” said Garris.

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Spacious living/dining room combo

360 PROPERTY VIDEOS

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Eat-in island, custom cabinetry and Thermador appliances lend a sleek backdrop in the kitchen.

360 PROPERTY VIDEOS

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The luxurious master bathroom includes floating vanities and walls covered in glass tiles.

360 PROPERTY VIDEOS

The residence features smart home technology, a sound system, oceanside spa, central air-conditioning and a photovoltaic system to transform Hawaii’s abundant days of sunshine into energy.

“There are 16 outside cameras, and you can remotely control the house from anywhere in the world,” Garris said.

An elevator and stairs provide access to all three levels of the home where one can admire imported limestone that was used extensively indoors and out. The bathroom walls are finished in an iridescent glass tile that’s a blend of sea salt and beige hues. Subdued shades of sea salt green paint on the bedroom walls provide a restful ambience.

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The master suite is a peaceful retreat.

360 PROPERTY VIDEOS

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Ground-floor guest bedroom

360 PROPERTY VIDEOS

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Oceanside Jacuzzi

360 PROPERTY VIDEOS

The oversized garage can be accessed from Beach Road, its entrance tucked seamlessly into the home’s privacy wall.

“The wall creates a buffer between you and any public viewing,” said Garris. “When someone drives past, you can’t see into the house.”

A Jacuzzi and small, well-manicured yard are on the oceanside ground level.

The home is just steps from the white sandy beach and a few dozen paddle strokes away from some of Oahu’s most popular surf breaks. Honolulu’s business district and public and private schools are nearby.

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Upper landing of the three-story home

360 PROPERTY VIDEOS

The popular hilly five-mile loop around the base of Diamond Head takes you through some of Oahu’s most exclusive neighborhoods. Or you could hike to the peak of the Diamond Head Summit Trail from the entrance to Diamond Head State Park and Recreation Area, just five minutes away.

Fine dining, boutique and luxury retail shopping, nightlife and every possible convenience are available in Waikiki, less than two miles from the home’s front door and an easy stroll along the water’s edge of Kapiolani Park.

“Diamond Head is a coveted area,” said Garris. “Not many people could afford to buy in this area. And then to be on a beach with a beautiful sandy coastline, that’s pretty darn rare. It’s an opportunity for someone who wants the best of the best on this island.”

[“source=forbes”]

Fyre Festival’s lead designer talks about branding a scam

We’re living in a cultural moment obsessed with scams. From the HBO documentary on Elizabeth Holmes and Theranos to Netflix and Hulu’s dueling documentaries on Fyre Festival, con artists have captured the popular imagination.

In the case of both Theranos and Fyre, branding played an important role. Holmes was able to make people believe in her fictional technology in part because of the strength of her personal brand coupled with the prestige of her industrial designer, Yves Béhar (who coincidentally has participated in a number of failed products beyond Theranos).

For Fyre, it was a lesser-known designer named Oren Aks, who played an instrumental role in convincing people that buying a ticket to Fyre would mean buying the chance to party in opulent Bahamas beach villas with Kendall Jenner. The festival’s glamorous brand, portrayed through its trailer and its Instagram feed, which was supported by a dozens of influencers like Jenner, Bella Hadid, and Hailey Baldwin, was the primary way most would-be attendees heard about the event. Of course, when these would-be festival-goers arrived on the island, there wasn’t enough food or shelter. The disaster earned the festival’s founder, Billy McFarland, six years in jail.

I sat down with Aks to talk about designing a brand for a product that didn’t exist, and whether he feels responsible for the role he played in convincing people to buy Fyre Festival tickets. The conversation underlines the role design can play in selling almost anything–and the ethical problems involved when it does.

[Image: courtesy Oren Aks]

ON THE FYRE BRIEF

The Fyre Festival’s immensely effective branding was the work of Aks, a graphic designer and cofounder at the social media agency Jerry Media, which was founded on the back of the popular Instagram account FuckJerry. After graduating from San Francisco’s Academy of Art University with degrees in advertising and graphic design, Aks worked at a few startups before getting a job as an editorial graphic designer at Thrillist. Soon after, he joined Jerry Media and quickly began to work with the company’s first client: Fyre.

“From the start, the brief wasn’t really a brief. It was just: This is our audience, this is what we’re trying to sell them,” he says.

[Image: courtesy Oren Aks]

Who was the target audience for this campaign? “You don’t have to be an influencer, but you’re this New Yorker kid who knows everything, goes out to all the new places, vacations frequently, ticks all the boxes of the wannabe influencer on Instagram,” Aks says. “It was for the influencers and for the wannabe influencers and their community. The package was that lifestyle just bottled up.”

Aks says that he created the brand out of a logo, colors, and a pile of stock assets.

“It just was given to me with the brand assets, like the colors. And that was kind of it: the logo, two colors, dark blue, and the orange. The generic crowd . . . it’s stock content, the video is stock, the music was actually a track that they didn’t have licensing to at the time. It was Missy Elliott and Kaytranada. I actually voiced that: We’re going to get flagged by Instagram. This isn’t going to even get past their algorithm. So we’ve got all these, like, random assets. Nothing was original and nothing was finalized. So I have this pile of nothing.”

The feed Aks created (which you can still scroll through on Fyre Festival’s official Instagram page) is a mix of orange and blue graphics with images of models and palm fronds, many of which feature an orange zig-zag or the festival’s flame logo. It’s clearly an advertisement for a utopian getaway (at least for straight men).

But Aks’s crowning achievement wasn’t the feed; it was the idea to pay dozens of influencers to post a solid orange square on Instagram at the same time as a way of announcing the festival.

[Image: courtesy Oren Aks]

ON BRANDING A SCAM

The brand identity was so successful that Fyre sold out all its tickets, including those for the grandiose villas that would never be built. Aks doesn’t think that his branding influenced people’s emotions or that it’s what ultimately convinced people to buy tickets to Fyre. “I’m not doing market research and studying lab rats and how the mind works,” he says. “We’re literally just holed up in SoHo, a bunch of Instagram kids that are just fucking around.”

But he does admit that the brand was able to effectively conjure emotions–feelings of fear of missing out (FOMO), in particular:

“There were influencers going and it’s another emotional connection. It’s not a branding situation when you see the Jenners are going, and you’re like, it’s going to be awesome. That’s not really branding. It’s like an emotional thing. There’s a very fine line where the two meet. I think a lot of it was FOMO. That was a thing we did discuss as a selling point. It’s not something that is really branding. FOMO is again more on the emotional side. It’s its own thing . . .

So I think we tapped into emotional situations. Like, yeah we’re going to use these influencers because we know we want to tap into a good time or this photo because we want to invoke this vibe. We’re talking vibe, emotion. These are all separate from visuals. I think what people see is up to them.”

[Image: courtesy Oren Aks]

ON HAVING REGRETS

While Aks says he “would definitely have done it differently” if he had known where the Fyre Festival was headed, he stops short of taking any responsibility for the scam.

“I think that the easy, surface thing to say is to blame everybody involved but there’s people that just were coming to work. I was at [Jerry Media] at the time as a graphic designer. I had no idea what my boss was up to, what the financial situation between him and our client looked like. And when I did, I raised the alarm, being like, hey, we haven’t been paid a quarter million dollars in three months. As a cofounder, I have enough care in my own future in the company that those were things that I brought up.

So I brought things up to the best of my general knowledge of what I saw in front of me. I think that’s all I could do. A lot of people got screwed because of giving too much trust down in the the Bahamas or locally. It’s just one of those situations where it’s a human interaction where trust is a common factor, where you just give everybody you know that benefit and then nobody expects, like I said, a festival to crash and burn like this. Maybe now if we were talking about a new festival you might double check this because there was a festival once upon a time that sounded like this, and ended up like that . . .

I don’t like that I was involved in it. I would definitely have done it differently. I don’t like that people were affected locally in the Bahamas. I don’t like that people here that I know were affected. People were shook up. I don’t really think regretting it now makes sense because it’s too late. It’s more just looking back now, realizing what has happened, learning from it, and taking that to the next project, the next client, and sharing what I know.”

Aks later participated in the Hulu documentary about Fyre. He calls Netflix’s own documentary “a polished turd,” reasoning that it was produced by Jerry Media to make the company look good. He’s currently working on a memoir about his experiences at Jerry Media that’s supposed to illuminate what it was like to work on the festival, via his texts, Slack messages, and email threads. Despite Aks’s insistence that it wasn’t his visuals that convinced people to buy tickets, the fact that the marketing campaign went viral suggests that Fyre’s brand and advertising did sway people, convincing them to spend hundreds or thousands of dollars on something that didn’t exist.

It also points to the enduring problem of what you might call vaporware (or a marketing campaign for a product that doesn’t really exist). It’s getting harder and harder for people to discern what is real and what is not. For most people who were scammed by the Fyre Festival, the festival’s existence was shaped solely by its social media feed and website–until they arrived in the Bahamas, and found that you can’t always believe what you see on Instagram.

[“source=fastcompany”]

Alia Bhatt’s designer anarkali is just perfect for a mehandi celebration

Alia-Bhatt

Alia Bhatt has been very busy promoting Kalank lately, and today seems to have been no different for the actor. This afternoon, the star was spotted spreading word about her upcoming film once again on the sets of a reality show. Her pick for the outing was a pretty peach anarkali by Anita Dongre. Bhatt accessorised her look with a pair of silver earrings by Minerali and gold heels. Accompanying her at Kalank‘s most recent event were co-stars Varun Dhawan and Sonakshi Sinha. While the former complemented Bhatt’s pastel look with a soft pink kurta, the latter played with prints in Anamika Khanna separates. If you’ve been on the lookout for a peach wedding-ready look, however, Bhatt’s anarkali is the one you need to check out.

Alia Bhatt’s designer anarkali is for every woman who loves soothing hues

If you’ve been keeping up with Alia Bhatt’s recent sartorial choices, you would know that keeping her on-screen character’s look in mind, the star has been dressing largely in Indian ethnic wear for Kalank‘s promotional rounds. While the first look of Kalank had Bhatt dressing in a white Manish Malhotraanarkali, the launch of its song ‘First Class’ saw her meeting fans in a striking black Anita Dongre kurta. Her latest anarkali featured delicate embroidery and a lightweight tulle dupatta that made it perfect for a day event like a mehandi party, or even a poolside engagement celebration. Bhatt went the elegant route with her beauty look and opted for lightly kohled eyes, glossy lips, dewy makeup and freshly blowdried hair. A pastel ensemble like Alia Bhatt’s is a refreshing addition to your festive wardrobe if you’re bored of bold jewel tones. Get something similar for yourself today!

Image: Viral Bhayani

[“source=vogue”]

New shoes make a difference

Image result for New shoes make a differenceChildren sat attentive in rows of chairs with parents behind them as a college student washed their feet and exchanged kind words before putting a new sneaker on each foot.

More than 60 University of Jamestown students greeted area families that registered for the Samaritan’s Feet distribution day event Sunday at Harold Newman Arena. The UJ students collected 275 pairs of new shoes over the first semester and from direct donations and at a UJ basketball game.

“In retrospect it’s been a lot of work but it doesn’t seem like work, it really doesn’t,” said Mika Thorlakson, a UJ professor of kinesiology and program adviser.

The UJ students were moved by the idea of collecting and distributing shoes for kids, some of whom have never had a new pair, he said. Active and growing kids go through a lot of shoes which puts a burden on parents, he said.

The kids and parents were led to a feet washing station and the youth were fitted with new shoes. The kids were then invited to play games with UJ students on the arena floor.

Charles Eastman of Jamestown said he and his wife were grateful to have a new pair of shoes for their 9-year-old daughter. She goes through a lot of clothing, especially jackets and shoes, and any help is appreciated, he said.

“Anytime we can get some type of help it makes things a lot easier on us,” Eastman said.

Jeremy and Justina Jones said their 8-year-old twin boys are active and go through shoes fast.

“It’s great that they provide this help for children,” Justina said. “I just think it’s a great program.”

Denise Blomberg, regional operations director of the Samaritan’s Feet in Sioux Falls, S.D., said Jamestown has a culture of service and the servant leadership example is exemplified at the university. It’s a community that is aligned well with the organizational goal of giving out a million shoes this year, she said.

“This is a natural progression for us to start the Samaritan’s Feet Ambassadors chapter here,” Blomberg said. “This is the first of its kind and it can be replicated anywhere.”

Samaritan’s Feet was founded in 2003 by Manny Ohonme, who came to the University of North Dakota-Lake Region on a basketball scholarship and went on to earn a master’s degree. As a youth in Nigeria, the gift of his first pair of shoes from a missionary at age 9 changed his life.

The UJ Samaritan’s Feet Ambassadors is a first-of-its-kind model that may soon be used at other colleges and communities that form their own chapters, Blomberg said. The UJ students collected more than 200 pairs of shoes in 2018 but had not yet formed the Samaritan’s Feet Ambassadors chapter.

Sunday’s event was rescheduled from a weather-cancelled event on Jan. 26. When the UJ totals are known they will be added to the other events in 15 cities and 12 states when more than 9,000 pairs of shoes were given to children as part of the Martin Luther King National Day of Service Initiative, she said.

More than 6,500 pairs of shoes have been distributed at events in seven North Dakota cities since 2014, she said. More than 6.9 million shoes have been distributed in 41 states in that time.

Tommy Voss, a UJ senior in exercise science, is president of the Samaritan’s Feet UJ Ambassadors. He said it is the largest campus organization. The students embrace a program that does good and involves servitude, he said.

“I find that it’s very humbling to be part of something like this,” Voss said.

People come forward when they are in need and it isn’t taken lightly by the students, he said. This is a big responsibility but a fantastic opportunity to be a part of something bigger than ourselves, he said.

“These little kids are the future so it means a lot to me,” said Jack Talley, a sophomore pre-law student at UJ.

It’s important to help all kids in the community, he said. The bigger impact of doing something meaningful for a child is that the child in turn may remember this and do the same some day, he said.

Sydney Prussia, a sophomore elementary education student at UJ, said she volunteered as a way to do other things that relate to helping kids.

“This is just another reason to help more kids,” Prussia said.

[“source=jamestownsun”]